‘Man and Woman’ Actor ‘Amour’ Was 91 Years Old – The Hollywood Reporter

Jean-Louis Trintignant, the thoughtful French actor who starred in art house classics such as A man and a woman, My night at Maud’s, the conformist, Three colors: red and Love, he died. He was 91 years old.

Trintignant died on Friday at his home in the Gard region of southern France, his wife Marianne and her agent told Agence France-Presse.

Trintignant has received numerous accolades over his 60-plus-year career, including the 1969 Cannes Best Actor Award for Costa-Gavras’ political thriller. Z and a 2013 Cesar Award for Michael Haneke Lovewhich also won the Oscar for best foreign film.

With over 130 canvases and over 50 stage credits to his name, Trintignant was a highly prolific and respected talent who could play anything from Shakespeare to French commercial comedies, from art favorites by Bertolucci, Kieślowski and Truffaut to popular novels and Science fiction. fi flicks – like when he provided the voice of a talking brain in The City of Lost Children (1995).

Trintignant became an international star after his turn as a racing driver and Anouk Aimée’s lover in Claude Lelouch’s film. A man and a woman (1966), which won the Academy Award for Best Screenplay and Foreign Language Film. He and Aimee were hailed as “the best screen couple since William Powell and Myrna Loy” by The Guardian.

In 2017, Trintignant said in an interview that he ended up as an actor. But he decided to take on one last role, reprising the character he played alongside Aimée in Lelouch’s 2019 epilogue to A man and a woman.

Although he was a major French star for half a century, Trintignant remained out of the public eye, save for a much-publicized affair with Brigitte Bardot during the filming of And God created women (1956), directed by her husband, Roger Vadim (he played the cheated husband in the film). The case put Trintignant on the front pages of local tabloids, while the film turned Bardot into an international sex symbol.

His life was marked by tragedy: in 2003, his first child, actress Marie Trintignant, was murdered by French rock star Bertrand Cantat during a hotel room dispute in Lithuania. And in 1970, his second daughter, Pauline, died at the age of 9 months, while the actor and his then-wife Nadine were filming a movie in Rome. (The event was fictionalized in the 1971 film It only happens to othersstarring Catherine Deneuve and Marcello Mastroianni.)

Known for his intensely withdrawn characters and hypnotic voice, which he used to record several popular audio collections of French literature and poetry, Trintignant was a humble artist with a remarkable screen and stage presence. However, he never chewed the scenery or tried to stand out in the spotlight.

In one of his last interviews, he wryly reflected on his profession.

“I was extremely shy. And being famous didn’t interest me,” he told the French daily. Good morning. “You know, it’s fun the first time, then it’s nothing. Why do they give us prizes? We’re already well paid. It would be better to give the Oscars to people who work in jobs that are not fun at all.”

Trintignant was born on December 11, 1930, in the town of Piolenc, in the south of France. His father, who fought in the resistance during World War II, was a local industrialist and mayor. His uncle Maurice was the first French Formula 1 driver to win a championship, inspiring Trintignant to drive race cars. (The actor directed his own stunts in A man and a woman and was part of the Star Racing team from France. He suffered a near-fatal accident during the 24 Hours of Le Mans in 1980.)

After the family moved to Aix-en-Provence, Trintignant began acting in his late teens and early twenties, performing plays by Molière and Shakespeare. He then studied to become a film director at the famous IDHEC film school in Paris. To pay the bills, he took on small screen roles, getting his first big break in 1956 as one of three men involved with promiscuous Juliet (Bardot) in And God created woman.

Trintignant then disappeared from the scene to fulfill his mandatory military service, which included a period in the Algerian War that would affect him forever. But he returned as one of the protagonists in Vadim’s adaptation of dangerous connections (1959), starring opposite Gerard Philipe, Jeanne Moreau and Boris Vian.

He made dozens of films over the next decade, most notably A man and a woman; Alain Robbe-Grillet the man who lies (1968), which won him a Golden Bear in Berlin; Claude Chabrol’s erotic thriller the deer (1968); foreign language Oscar winner Z, in which he played an idealistic young lawyer; and Eric Rohmer My night at Maud’s (1969), considered one of the best French films of the 1960s.

Trintignant began the 1970s with what was arguably his best screen role, playing a tormented killer in the conformist, Bernardo Bertolucci’s blistering political thriller set in pre-World War II fascist Italy. The film was immediately hailed as a classic; Trintignant claimed and Love were the best films he ever made.

Alongside a busy film career, Trintignant was a regular presence on the Paris stage, starting with a 1960 production of Village at the Theater des Champs-Elysées. He would perform in plays by Jean Giraudoux, Françoise Sagan, William Gibson and Louis Aragon, earning a Molière nomination in 2005 for Samuel Benchetrit minus two.

At the end of his life, he would give live readings of poems by authors such as Guillaume Apollinaire, Jacques Prevert, Boris Vian and Robert Desnos.

Trintignant worked less from the mid-1990s to spend more time in his native southern France, where he invested in a vineyard – the domaine Rouge Garance – specializing in the award-winning Cotes du Rhone.

Still, the end of his career was marked by a handful of important roles. He played retired judge Kern in Krzysztof Kieślowki’s Three colors: red (1994), which was nominated for three Oscars and proved to be the director’s ultimate masterpiece. He also starred in Jacques Audiard’s first two feature films at the helm, see how they fall (1994) and a self-taught hero (1996), and earned a César nomination for Best Supporting Actor in Patrick Chereau’s Film Those who love me can take the train (1998).

But it was his 82-year-old performance at Haneke’s Love (2012) which became one of the highlights of his career, earning Trintignant a Cesar. Playing a husband caring for his disabled wife (Emmanuelle Riva), he delivered a low-key and incredibly moving performance that was one of her best.

About the film, Trintignant told the French weekly the sunday newspaper: “The character moved me a lot. Like him, I’m at the end of my life. And like him, I think a lot about suicide. Whatever role Haneke wants to cast me as next, I’ll take it.”

In fact, one of Trintignant’s last screen roles was in Haneke’s film. Happy ending, in which he performed most of his scenes in a wheelchair. He continued to perform on stage until 2018 in a show titled Trintignant / Mille / Piazzolla who mixed poetry and music, and then joined Aimée for another Saga of a man and a woman inside the most beautiful years.

“Aging is just a series of problems,” he said in an interview after announcing he had cancer. “But in the end, it was good that I stayed alive for so long. I got to meet a lot of interesting people.”

Leave a Reply

%d bloggers like this: